![]() Yet they connect to produce a nourishing, life-sustaining, psychological soup. These seemingly random moments emerge from events never intended to affect our lives and that couldn’t yield much on their own-fragments of an overheard conversation, a scene from a TV show, a classified ad, a chance meeting with someone at a checkout counter. Yet at any moment, some seemingly random encounter can link into our network of experiences to produce or to promise a result we could never have planned or expected. Most of us experience life as a dynamic, chaotic flow. Along the way, I also learned that I’d be expected to exercise a level of consumption (of purchased goods and paid-for services) to match my knowledge, income, and social status.īut I gradually came to understand that lives that appear to follow that expected trajectory have actually been assembled from a small measure of reaping and a large, continuously growing collection of gleanings. ![]() The society in which I grew up taught me that a good life requires a relatively smooth linear passage from the seeds of a stable, two-parent childhood and some level of formal, institutional learning (“education,” and the more, the better) to the harvest of long-term, secure-but-challenging employment that includes health insurance and the promise of a fat retirement account. The institutions we’ve been conditioned to trust and believe in seem to be crumbling, losing credibility, and changing at a such a breath-sucking pace we can’t keep up. To cite a common cliché, we live in disruptive times. Toss those gleanings into a savory broth with a handful of fresh herbs and a cup or two of lentils, and they often add up to a tasty soup or stir-fry. We gather the handful of young green beans that popped forth from a few still-green plants. We glean those two onions whose necks didn’t seal (so they won’t keep). For the gardener, we glean by collecting those tomatoes and peppers that lie among the blackened wreckage of the first killing frost.
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![]() Within a matter of days, the media was abuzz. Christian Louboutin was suing the company for more than $1 million. It was significant for the brand’s bottom line, as touted by its parent company, the corporate conglomerate now known as Kering, and it was not being overlooked by rival Christian Louboutin. After all, inside that package addressed to Yves Saint Laurent was not a shoe it was a complaint. Given that a significant portion of high fashion brands’ revenue routinely comes from the sale of accessories, including handbags and footwear, the praise for YSL’s footwear offerings was no small matter. The first two sentences – “The shoes! The shoes!” – told you everything you needed to know. One need not look further than Tim Blanks’ take on the Spring/Summer 2012 YSL collection for proof. In fact, the garments of Yves Saint Laurent’s soon-to-be-ousted creative director Stefano Pilati were being outshined, according to critics, by the famed brand’s footwear. Online, some 48 percent of luxury footwear searches in 2011 were for Louboutins.īack on Avenue George V, which is where Yves Saint Laurent’s ateliers and corporate head office were located in 2011, Yves Saint Laurent was turning out noteworthy footwear, as well. There was nary a red carpet that was not smattered with actresses in the brand’s shoes, or a magazine that was without an editorial in which Louboutin shoes appeared. “Then it popped,” he said, and the foundation of a footwear revolution was born.įast forward less than two decades and by 2010, Louboutin was selling more than 600,000 pairs of shoes per year – all of which bore Pantone 18-1663 TPX “Chinese red”-hued soles. Christian Louboutin, who was 33-years-old at the time, reached for a bottle of red nail polish – “Thank God, there was this girl painting her nails,” he told the New Yorker – and with that, the shoe’s sole went from a dull black to a striking red. The concept shoe, with its stacked heel and floral applique, was missing something. A carefully packaged prototype of a high heel shoe arrived from Italy to the workshop of the budding Parisian brand. and its Paris-based entity, Yves Saint Laurent SAS.įifteen years prior, in 1996, Christian Louboutin was on the receiving end of a delivery of its own. The stack of documents was hand-delivered to the fashion house in Paris, as well as to its American headquarters on the heavily foot-trafficked 57th Street, nestled between Louis Vuitton and Chanel’s midtown outposts, and addressed to Yves Saint Laurent America, Inc. ![]() Take your pick from embellished uppers, fluffy feathers, elegant brocades, shiny metallics, and much more.On the tree-lined Avenue George V in Paris’ 8th Arrondissement, mere steps from the Seine and just across the street from where Cristóbal Balenciaga opened his own maison in 1937, Yves Saint Laurent’s team was in the midst of working on the brand’s Resort collection in early April 2011 when a package arrived. Or let your outfit shine with our women's clear heels! And with a range fabrications and details to choose from, our selection of high heels offer endless style possibilities. When the occasion calls for extra glam, our women's silver heels play well with everything from little black dresses, to silky skirts and occasion gowns. Looking to punch up your style? Add a dose of color to your closet with color-pop heels-our rainbow of shades have a show-stopping hue for everyone, from women's pink heels, to women's green heels, to women's gold heels & more. Our women's wedge heels offer effortless style and comfort, while evening heels provide a glamorous finish to your head-to-toe look. Show-stopping colorful hazel pointed toe pump heels are sure to turn heads, especially when accompanied by a little black dress. Our slingback heels are perfect for a day at the office or a night on the town. If classic pumps are the name of your style game, browse our lineup of versatile, neutral heels-from black, to nude, and optic white picks that complement virtually everything in your closet. From heeled booties, to platform heeled sandals, sleek kitten heels, pointed-toe pairs and much more, you'll find your new go-to pair here. Sam Edelman's collection of heels has just the right pair for every wardrobe and any outing. In theory, this should create better straight-out-of-camera RAW images, but as we'll see in a moment, RAW isn't always better. By editing RAW, Photo AI is able to denoise, improve clarity, sharpen, and/or upscale data, then generate newly optimized RAW (DNG) files for further editing. Topaz Labs recommends importing and editing RAW images for optimum results. Exporting RAW image and creating variant in Capture One This displays a window (pictured below) that generates a variant of the RAW file as a JPG, TIFF, DNG or PNG, then opens that variant in Photo AI (thus protecting the original RAW file). Importing a RAW image through the Plug-in Extras menuĬapture One exports RAW images to Photo AI by selecting Image > Edit With > Process with Topaz Photo AI from the top menu. Note that any Develop settings assigned to the RAW file are ignored by Photo AI. ![]() I highly recommend creating copies to avoid overwriting and replacing the original RAW data created by the camera. The plugin then prompts the user to choose between a copy of the RAW file or the original. Second method edits the RAW file itself (not rasterized TIFFs) by selecting File > Plug-in Extras > Process with Topaz Photo AI (pictured below). This method is helpful when develop settings have been applied to a RAW file in Lightroom, and you'd like to see those edits in Photo AI. First is opening the RAW file as a 16-bit TIFF, which can be done by right-clicking on one or more RAW files, then selecting Edit in > Topaz Photo AI (image below). When used as a plugin with Adobe Lightroom Classic, there are two methods for editing RAW files. ![]() Import TIFF/JPG copies of RAW files from Adobe Lightroom Classic.Import RAW files from Adobe Lightroom Classic.Photo AI imports one or more images through any of the following methods: Topaz Labs has not paid for or sponsored this review. Let's dive in.ĭisclaimer: I paid for Photo AI with my own money. ![]() But now that they're together, photographers can apply one, two or all three adjustments at the same time. Upscaling increases image resolution to generate new, larger images (for use as prints or other use cases) without losing detail, sharpness and clarity.īefore Photo AI, these tasks required three different apps. Sharpening intelligently fixes soft details and edges by rebuilding the underlying pixel data (instead of simply adding micro-contrast). Denoise helps remove unsightly sensor and luminosity noise without losing texture and detail. Photo AI primarily does three things: denoise, sharpen, and upscale. Photo AI is powerful enough to be used by seasoned, tech-savvy photographers, yet simple for casual photographers who simply want to improve their images automatically with minimal effort. Photo AI ($199) from Topaz Labs is a new photo enhancement application that bundles together functionality from three pre-existing Topaz desktop apps (Denoise AI, Sharpen AI, and Gigapixel AI), plus a few new tricks and features, in a new standalone desktop app and plugin for macOS and Windows. ![]() How hot is Steve-O’s Hot Sauce – Japanese Edition (The Destroyer)?.Steve-O’s Hot Sauce – Japanese Edition (The Destroyer) is made with a special blend of peppers, vinegar, and spices. What is in Steve-O’s Hot Sauce – Japanese Edition (The Destroyer)?. ![]() Common Questions on Steve-O’s Hot Sauce – Japanese Edition (The Destroyer) So if you’re looking for a new hot sauce to try, be sure to check out The Destroyer. The Destroyer is sure to add a kick of flavor to any dish, and is sure to please even the most die-hard chiliheads out there. If you’re a fan of hot sauce, then you’ll no doubt enjoy Steve-O’s take on the classic condiment. This particular version of the sauce is inspired by Japanese cuisine, and is thus packed with fiery ingredients like habanero and jalapeño peppers, as well as a host of other Asian-inspired flavors. Steve-O’s Hot Sauce – Japanese Edition (The Destroyer) is pretty much what it sounds like: a hot sauce made by Steve-O, the stunt performer and reality TV star best known for his work on Jackass. Great replacement for all of your favorite hot sauces.The ingredients in this sauce are water, vinegar, garlic, salt, and Habanero peppers. What are the ingredients in this sauce?.This sauce has a scoville rating of 10,000. What is the scoville rating of this sauce?.What kind of hot pepper is used in this sauce?.There is a moderate amount of spice in this sauce. Common Questions on Steve-O’s Hot Sauce For Your Butthole | Garlic Habanero Hot Sauce (5 oz) So next time you’re looking to add a little spice to your life, reach for Steve-O’s Hot Sauce For Your Butthole. Plus, it’s got a great flavor that will have you coming back for more. This garlic habanero hot sauce is just hot enough to give you a little bit of a kick, but not so hot that you can’t enjoy your meal. Looking to add a little extra something to your meals? 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